...........Continued from part-1.
g1
I was searching for Beach area at the Lakeside. One of the pathways led me here. Nobody was there and the place looked serene to me. The breach of water in the foreground gave the feeling of fullness and I responded with my Canon 50D.
g2
The Beach area. A small road [dare to call it as road!!] takes us to this area full of fine sand resembling a Sea beach. People play there, but on the day and time of my visit, there were none. It was a boon to me and I went on shooting.
The Green in the picture indicates the presence of life in the tree, symbolizing the Hope.
g3
The hillock at the left of the picture is the one, which stands between the main road and the lake.
g4
The right side of the beach area. In the background is the distant shore, from where I shot some previous pictures.
Canon 50D was used to capture these photographs.
h1
The road- leading to Melukote. This road passes through the village "Kere thonnooru" , which we see prior to the lake.
h2
The rich and ripe Paddy fields in front of the lake. I was impressed by the yellow tones and shot this picture.
h3
A pond has been formed by the outlets of water from the Lake. This pond has reflections and if there is no wind blowing, it is worth a capture.
h4
I was looking for some element, which stands out in the composition and the Red roofed farm house caught my sight. I would say this picture has all the tones - both RGB and CMYK.
All four of the above photos were captured with a Canon compact PSSX220HS.
h5
The pond and the tank bund area shot from the main road. I have tried to record the reflection.
h6
This picture is a visual continuation of the previous one.
h7
A wide perspective of the above images. The trees at the top left of the frame are on the banks of the lake.
h8
The same road leading to Keretonnooru. The road leads our eyes into the picture, and also is framed by trees on both sides and a person passing just exactly where he should be- in terms of composition. I responded with my cam.
h9
The wide perspective inspires me and the twist in the road also. The road enters into centre of the frame, with some people around.
h10
A small stone structure was at the roadside. I included a tree to balance it's position.
A canon compact- PS A720is was used for the above shots.
h11
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The pond offers more possiblities of reflections. This is a different try.
h12
I wanted to display the breadth of the pond as well as recording the blue reflections of the sky, hence this composition.
h13
Pavamana had once captured a picture of high -raised lamp post with cloud formation at Tunga Dam and it was in my mind. Here I have copied his composition by just replacing the lamp-post with a tall tree.
All three of the above pictures were shot with Canon 50D.
h14
Now we have moved to the banks of the lake-the main area, where vehicle parking and shops are.
This hillock is at the right side of the main area.
h15
The road and the pond as seen from the main area. The rocks in the foreground breaks the monotony of greens.
Canon 400D faithfully captured it.
h15a
An Autorickshaw was plying on the road below. I thought it would be nice to include it and shot with a wide perspective. Canon PS A720is has this wide mode and I used it here.
h15b
The same road, same Camera and different composition. The road passs throughout the frame and turns to the left to enter the village.
h16
The pond and the road shot from the top of the hillock- framed.
h16b
A panoramic view of the pond below and the main road. Captured with Canon 720is and stitched.
h17
This Hill is at the left of the main area. The pathway seen there leads down to reach the main road.
This one and the one before the last were shot with a Canon 400D.
h18
The Mandapam near the banks at the main area. The Red colour present in the Mandapam contrasts with the Blue hues of sky and water.
h19
The same Mandapam shot from an opposite angle. The lines of steps lead our eyes to the Mandapam.
h20
The pathway at the main area. At the end, is a small gate to cotrol the flow of water. The white coloured stone structures lead our vision to there. Canon 50D was used for these pictures.
h21
Fishermen relaxing in thair boats. This scene made a natural 2/3rd composition and I responded with my Canon PS 720is compact.
h22
The engraved board containing the details of the lake.
h23
Some local boys preparing to dive.
Now let's move on to Sunsets. Tonnooru lake is very much ideal place for shooting Sunsets. I have explored only a few possiblities.
h24
The Mandapam at the Sunset.
h25
Sunsets are more effective when silhoutted with some interesting foreground elements. Here my friend posed with his wife for me to make the picture complete.
h26
The Sunset framed from inside the Mandapam.
h27
The Sunset with the Mandapam- the Sun dominates the picture here, unlike the previous one where it is not so. For all the Sunscapes above a Canon 50D was used.
There are other three Lakes, smaller in size. around this one. A separate post has been made for them.
to be continued......
g1
I was searching for Beach area at the Lakeside. One of the pathways led me here. Nobody was there and the place looked serene to me. The breach of water in the foreground gave the feeling of fullness and I responded with my Canon 50D.
g2
The Beach area. A small road [dare to call it as road!!] takes us to this area full of fine sand resembling a Sea beach. People play there, but on the day and time of my visit, there were none. It was a boon to me and I went on shooting.
The Green in the picture indicates the presence of life in the tree, symbolizing the Hope.
g3
The hillock at the left of the picture is the one, which stands between the main road and the lake.
g4
The right side of the beach area. In the background is the distant shore, from where I shot some previous pictures.
Canon 50D was used to capture these photographs.
h1
The road- leading to Melukote. This road passes through the village "Kere thonnooru" , which we see prior to the lake.
h2
The rich and ripe Paddy fields in front of the lake. I was impressed by the yellow tones and shot this picture.
h3
A pond has been formed by the outlets of water from the Lake. This pond has reflections and if there is no wind blowing, it is worth a capture.
h4
I was looking for some element, which stands out in the composition and the Red roofed farm house caught my sight. I would say this picture has all the tones - both RGB and CMYK.
All four of the above photos were captured with a Canon compact PSSX220HS.
h5
The pond and the tank bund area shot from the main road. I have tried to record the reflection.
h6
This picture is a visual continuation of the previous one.
h7
A wide perspective of the above images. The trees at the top left of the frame are on the banks of the lake.
h8
The same road leading to Keretonnooru. The road leads our eyes into the picture, and also is framed by trees on both sides and a person passing just exactly where he should be- in terms of composition. I responded with my cam.
h9
The wide perspective inspires me and the twist in the road also. The road enters into centre of the frame, with some people around.
h10
A small stone structure was at the roadside. I included a tree to balance it's position.
A canon compact- PS A720is was used for the above shots.
h11
The pond offers more possiblities of reflections. This is a different try.
h12
I wanted to display the breadth of the pond as well as recording the blue reflections of the sky, hence this composition.
h13
Pavamana had once captured a picture of high -raised lamp post with cloud formation at Tunga Dam and it was in my mind. Here I have copied his composition by just replacing the lamp-post with a tall tree.
All three of the above pictures were shot with Canon 50D.
h14
Now we have moved to the banks of the lake-the main area, where vehicle parking and shops are.
This hillock is at the right side of the main area.
h15
The road and the pond as seen from the main area. The rocks in the foreground breaks the monotony of greens.
Canon 400D faithfully captured it.
h15a
An Autorickshaw was plying on the road below. I thought it would be nice to include it and shot with a wide perspective. Canon PS A720is has this wide mode and I used it here.
h15b
The same road, same Camera and different composition. The road passs throughout the frame and turns to the left to enter the village.
h16
The pond and the road shot from the top of the hillock- framed.
h16b
A panoramic view of the pond below and the main road. Captured with Canon 720is and stitched.
h17
This Hill is at the left of the main area. The pathway seen there leads down to reach the main road.
This one and the one before the last were shot with a Canon 400D.
h18
The Mandapam near the banks at the main area. The Red colour present in the Mandapam contrasts with the Blue hues of sky and water.
h19
The same Mandapam shot from an opposite angle. The lines of steps lead our eyes to the Mandapam.
h20
The pathway at the main area. At the end, is a small gate to cotrol the flow of water. The white coloured stone structures lead our vision to there. Canon 50D was used for these pictures.
h21
Fishermen relaxing in thair boats. This scene made a natural 2/3rd composition and I responded with my Canon PS 720is compact.
h22
The engraved board containing the details of the lake.
h23
Some local boys preparing to dive.
Now let's move on to Sunsets. Tonnooru lake is very much ideal place for shooting Sunsets. I have explored only a few possiblities.
h24
The Mandapam at the Sunset.
h25
Sunsets are more effective when silhoutted with some interesting foreground elements. Here my friend posed with his wife for me to make the picture complete.
h26
The Sunset framed from inside the Mandapam.
h27
The Sunset with the Mandapam- the Sun dominates the picture here, unlike the previous one where it is not so. For all the Sunscapes above a Canon 50D was used.
There are other three Lakes, smaller in size. around this one. A separate post has been made for them.
to be continued......
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